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Vojtěch Spurný

Vojtěch Spurný studied flute and conducting at the Conservatory and the Academy of Performing Arts in Prague before continuing his education at the College of Music in Utrecht, The Netherlands. His training has included work in piano, harpsichord, and operatic stage directing. After graduating he served as a conductor and also as a stage director – first as an assistant to experienced masters and then independently. His work as an assistant to conductor Bohumil Gregor and especially his last-minute substitution at Prague’s National Theatre for a performance of Smetana’s The Bartered Bride aroused deserved attention in the musical community, as did his later preparation and conducting of Scarlatti’s oratorio Agar for the Old Testament Festival in Prague, Rossini’s The Journey to Reims and The Barber of Seville in Göteborg, and Purcell’s Dido and Aeneas in Plzeň, which was honoured as the Production of the Year for 1998. In 2000 he rehearsed and conducted the Czech premiere of the first surviving opera, Peri’s Euridice from 1600, for the Smetana Festival in Litomyšl. At the Prague State Opera he conducts Mozart’s Così fan tutte, Zemlinsky’s Once Upon a Time, and The Soldier and the Dancer by Bohuslav Martinů. Presently he is appearing as a guest conductor with various symphony orchestras and presenting many concerts with the early-music instrumental ensemble “Musica salutaris”, of which he is artistic director. He is also a harpsichordist and pianist, with experience performing works for quarter-tone piano.

Photographs: Vojtěch Spurný

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The Prague State Opera - Theatre History in Pictures and Dates - Book cover
The Prague State Opera – Theatre History in Pictures and Dates
Tomáš Vrbka
The Prague State Opera in cooperation with the Slovart publishing house publishes a representative book tracking the history of this significant cultural institution since its opening in 1888 till the end of the 2002/2003 season. The publication called The Prague State Opera – Theatre History in Pictures and Dates is focusing solely on the opera featured at the scene, even though the theatre under various names also served to presentation of drama plays, operettas and ballet. The Prague State opera plans to publish the volumes concentrating on those genres in the next years.

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