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Nikolaj Višňakov

Soloist of the Czech National Opera

The tenor Nikolaj Višňakov is a native of Siberia. As a student of the Music Academy in Sverdlovsk he was engaged by the Perm Opera Theatre. He debuted in the role of Lensky in Eugene Onegin. After graduation he became a soloist at the Voronezh Opera House. He appeared in a number of tenor parts in operas by Russian and Italian composers. In 1992, he participated in the Fyodor Shalyapin International Opera Festival in Kazan. One year later, he won a prize at the same festival’s international singing competition. He started his collaboration with the Prague State Opera in Mussorgsky’s Boris Godunov. He has appeared here in a formidable gallery of leading roles, including Don Carlos, Faust, Lensky (Eugene Onegin), Manrico (Il trovatore), the Duke of Mantua (Rigoletto), Alfredo (La traviata), Pinkerton (Madama Butterfly), and Radames (Aida). He also appeared in the role of Radames at Gelbeschat, Germany, and in Tokyo. In 2001, he took part in the Berlin Philharmonic Orchestra’s touring programme, visiting Brazil, Lebanon, Switzerland, Austria, Belgium, Germany, The Netherlands, Turkey, and Japan. In 2004 and 2005, he was engaged for a prestigious touring stage production of Carl Orff’s cantata Carmina burana, which was performed in France, Spain, Portugal, Canada and the USA. In 2008 he toured in Italy, Mexico and the United Arab Emirates (Aida, Carmina burana), as well as in Spain, Portugal and France (Carmen). In 2009 he sang the Duke of Mantua (Rigoletto) and Erik (Der fliegende Holländer) in Spain, and in 2010 he was cast as Cavaradossi (Tosca) and as Don José (Carmen) at the Macerata Festival in Italy, and as Manrico (Il trovatore) in The Netherlands.

November 2010
Photographs: Nikolaj Višňakov

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The Prague State Opera - Theatre History in Pictures and Dates - Book cover
The Prague State Opera – Theatre History in Pictures and Dates
Tomáš Vrbka
The Prague State Opera in cooperation with the Slovart publishing house publishes a representative book tracking the history of this significant cultural institution since its opening in 1888 till the end of the 2002/2003 season. The publication called The Prague State Opera – Theatre History in Pictures and Dates is focusing solely on the opera featured at the scene, even though the theatre under various names also served to presentation of drama plays, operettas and ballet. The Prague State opera plans to publish the volumes concentrating on those genres in the next years.

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